Search Worlds Without End

The late, great Robert Bloch (author of Psycho) was a master of macabre humor: he was fond of clever, grisly one-liners, often used as twist endings. He also liked to write about psychotic and psychopathic killers. This solid anthology, put out by the Horror Writers Association (HWA) and completed after Bloch's death, honors his legacy with 22 tales about murderers and crazies of various stripes. A good many of the stories, most memorably Esther Friesner's "Lonelyhearts," have Blochian twists at the end. The weakest of the bunch have no other flaw than predictability, and the strongest, such as Ed Gorman's powerful "Out There in the Darkness" are classics of traditional storytelling. You'll find excellent stories here by Denise M. Bruchman, Del Stone Jr., Edo van Belkom, Gary A. Braunbeck, and others. Stephen King contributes a little gem of a tale in which the narrator finds himself in an autopsy room: "It fits. It fits everything with a horrid prophylactic snugness. The dark. The rubbery smell.... Dear God, I'm in a body bag."

When the Bates Motel loomed up out of the storm, Mary Craine thought it was her salvation. The rooms were musty but clean, and the manager, Norman Bates, seemed like a nice enough fellow, if a little strange....

Then Mary met Norman's mother. And the butcher knife.

The nightmare had just begun....

You remember Norman Bates-the shy motel manager with the fatal mother fixation. Now, years after his bout of butchery that horrified the world, Norman is at large again, breaking free from the psycho ward, cutting a shocking swath of blood all the way to Hollywood-where, so it happens, they are making a movie about Norman's life and crimes. A movie that suddenly and terrifyingly becomes a lot like real life....

The new Bates Motel is a tourist attraction, a recreation of the murder site, and the developers are already counting their profits. And there's a new exhibit, one nobody expected: the bloody corpse of a teenage girl crumpled in the front hall, stabbed to death.

Among the avalanche of press and publicity is reporter Amelia Haines, true-crime book writer. She's studying the original Psycho killings and to Amy, the new murders are a golden opportunity-if she can be part of the investigation, perhaps track down the killer herself, then her fame, and her fortune, will be assured. But catching the madman won't be easy . . . the town is full of suspects, and Amy's best informants keep turning up murdered. If she isn't careful, Amelia Haines may be the next permanent guest at the Bates Motel. . . .