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One of the earliest major American novels, Wieland (1798) is a thrilling tale of suspense and intrigue set in rural Pennsylvania in the 1760s. Based on an actual case of a New York farmer who murdered his family, the novel employs Gothic devices and sensational elements such as spontaneous combustion, ventriloquism, and religious fanaticism.

"From the summit of the ivy-grown tower, the very rooks, in the midst of their cawing, are scared away by the furious rush and the wild howl with which the Wehr-Wolf thunders over the hallowed ground." - G. W. M. Reynolds, Wagner, the Wehr-Wolf

This collection brings together fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, all taken from their original appearances in Victorian periodicals and story collections, many of them reprinted here for the first time. This edition includes a new introduction by Alexis Easley and Shannon Scott, explanatory notes, and numerous rare Victorian werewolf illustrations.

This collection contains:

• "Hugues, the Wer-Wolf" (1838) by Sutherland Menzies
• "The White Wolf of the Hartz Mountains" (1839) by Frederick Marryat
• "A Story of a Weir-Wolf" (1846) by Catherine Crowe
• excerpts from Wagner, the Wehr-Wolf (1846-47) by George W. M. Reynolds
• "Lycanthropy in London; or, The Wehr-Wolf of Wilton-Crescent" (1855) by Dudley Costello
• "The Gray-Wolf" (1871) by George MacDonald
• "The Were-wolf of the Grendelwold" (1882) by F. Scarlett Potter
• "The White Wolf of Kostopchin" (1889) by Gilbert Campbell
• "A Pastoral Horror" (1890) by Arthur Conan Doyle
• "The Mark of the Beast" (1890) by Rudyard Kipling
• "The Were-Wolf" (1890) by Clemence Housman
• "Dracula's Guest" (ca. 1892) by Bram Stoker
• "The Other Side: A Breton Legend" (1893) by Eric Stenbock
• "Morraha" (1894) by Joseph Jacobs
• "Where There is Nothing, There is God" (1896) by William Butler Yeats

An appendix of contextual materials is also included, featuring nonfiction articles from Victorian periodicals dealing with lycanthropy, Rosamund Marriott Watson's poem "A Ballad of the Were-wolf" (1891), excerpts from Sabine Baring-Gould's The Book of Were-Wolves (1865) and Laurence Housman's illustrations for Clemence Housman's The Were-wolf (1896).

Fifteen stories deal with boundaries between the sexes, facsimile humans, dreams of the dead, nightmares, and marriage in the future.

Table of Contents:

• Heart's Desire - (1989) - shortstory
• The Wound - (1987) - shortstory
• Husbands - (1990) - shortstory
• Riding the Nightmare - (1986) - shortstory
• Jamie's Grave - (1987) - shortstory
• The Spirit Cabinet - (1988) - shortstory
• The Colonization of Edward Beal - (1987) - shortstory
• Lizard Lust - (1990) - shortfiction
• Skin Deep - (1989) - shortstory
• A Birthday - (1987) - shortstory
• A Mother's Heart: A True Bear Story - (1978) - shortstory
• The Other Room - (1982) - shortstory
• Dead Television - (1990) - shortstory
• Bits and Pieces - (1990) - shortstory
• Memories of the Body - (1987) - shortstory

World Fantasy Award winning novella. It originally appeared in the anthology Palace Corbie Eight (1999), edited by Wayne Edwards. The story is included in the collection City of Saints and Madmen (2001).

This is the second volume, which charts the history of the science fiction magazine from the earliest days to the present. The first volume Time Machines traced the development of the sf magazine from its earliest days and the creation of the first specialist magazine, Amazing Stories. Transformations takes up the story to reveal a turbulent period that was to witness the extraordinary rise and fall and rise again of science. Britain's foremost sf historian, Mike Ashley charts the sf boom years in the wake of the nuclear age that was to see the 'The Golden Age' of Science Fiction with the emergence of magazines such as Galaxy, Startling Stories and Fantastic, as well as authors like Isaac Asimov, Philip K. Dick and Frank Herbert. He then goes on to explore the bust years of 1954-1960 followed by the renaissance in the 1960s led by the new wave of British authors like Michael Moorcock and J.G. Ballard and the rise in interest of fantasy fiction, encouraged by Lord of the Rings and the Conan books of Robert E. Howard. Transformations concludes with an examination of the new found interest in sf magazines during the late 1960s and the incredibly influential roles Star Treck , the film 2001: A Space Odyssey and, above all, the first manned Moon landing played in transforming the sf magazine.

Once upon a time... a group of French aristocrats, trapped by their culture and gender, wanted to speak out against the regime and the king. But they could not, for that king was Louis XIV.And so they turned to fairy tales.In this collection of fourteen essays, Mari Ness explores the lives and tales of these remarkable writers who used fairy tales to subtly critique -- and in a few cases, support -- the absolutist rule of Louis XIV. They include the scandalous Henriette Julie de Murat, imprisoned for debauchery, and rumored to wear men's clothing; Charlotte-Rose de Caumont de la Force, imprisoned for writing impious poetry; and Madame d'Aulnoy, who spent years of her life in exile from her beloved country, but still insisted on contributing to French literature.

Told with wit and humor, the essays help set beloved fairy tales into their historical and cultural context. A must read for fairy tale lovers and anyone interested in how words can be shaped into acts of resistance.

A new and corrupt Emperor seeks to rebuild the ancient structures of Villjamur to give the people of the city hope in the face of great upheaval and an oppressing ice age. But when a stranger called Shalev arrives, empowering a militant underground movement, crime and terror becomes rampant. The Inquisition is always one step behind, and military resources are spread thinly across the Empire. So Emperor Urtica calls upon cultists to help construct a group to eliminate those involved with the uprising, and calm the populace. But there's more to The Villjamur Knights than just phenomenal skills and abilities - each have a secret that, if exposed, could destroy everything they represent.

Investigator Fulcrom of the Villjamur Inquisition is given the unenviable task of managing the Knights', but his own skills are tested when a mysterious priest, who has travelled from beyond the fringes of the Empire, seeks his help. The priest's existence threatens the church, and his quest promises to unweave the fabric of the world. And in a distant corner of the Empire, the enigmatic cultist Dartun Sur steps back into this world, having witnessed horrors beyond his imagination. Broken, altered, he and the remnants of his cultist order are heading back to Villjamur. And all eyes turn to the Sanctuary City, for Villjamur's ancient legends are about to be shattered ...

A self-proclaimed savior has arrived at the End of Time, home of the deliciously decadent and frightfully bored. Unfortunately, the last thing they need is a messiah. Especially one like Fireclown--who offers such unlikely gifts as Madness, Pain and Doom.

Seyonne is a man waiting to die. He has been a slave for sixteen years, almost half his life, and has lost everything of meaning to him: his dignity, the people and homeland he loves, and the Warden's power he used to defend an unsuspecting world from the ravages of demons. Seyonne has made peace with his fate. With strict self-discipline he forces himself to exist only in the present moment and to avoid the pain of hope or caring about anyone. But from the moment he is sold to the arrogant, careless Prince Aleksander, the heir to the Derzhi Empire, Seyonne's uneasy peace begins to crumble. And when he discovers a demon lurking in the Derzhi court, he must find hope and strength in a most unlikely place...

Mira Fedor and her friends stand in the eye of the hurricane, and everything in the Orion League remains in flux. She is pregnant, and its gestation is proceeding at an inhuman pace. As she hides out on her bioship, Insignia, it seems clear that the extropist's procedures have had an unforeseen effects--but will her child be more than human? As secrets are revealed and conspiracies exposed about the attack on Araldis, Mira wonders if there is still time to thwart one last master plan? The pieces are all in plan, all that remains is for each side to commit to its endgame. But there's one question nobody has thought to ask: will the Sole Entity...God...play by the rules? It's the epic conclusion to what the Sydney Morning Herald called "Space opera supreme."

Riley and Asha have traveled across the galaxy, found the Transcendental Machine, and been translated into something more than human. They've returned to Earth and won over the artificial intelligence which once tried to destroy the Transcendental Machine.

Now they must save the fringes of the Federation.

Planets at the edge of the Federation have fallen silent. The arrogant Federation bureaucracy grudgingly send Riley and Asha to investigate. They join forces with a planetary A.I., a paranoid Federation watchdog, and a member of a splinter group who vows to destroy the A.I. No one trusts anyone or their motives.

They need to find common ground and the answer in order to confront an enemy more ancient and powerful than the Transcendentals.

One man will transcend death to seek vengeance. One woman will transform herself to gain power. And no one will emerge unscathed...

Thorvald Spear wakes in hospital, where he finds he's been brought back from the dead. What's more, he died in a human vs. alien war which ended a whole century ago. But when he relives his traumatic final moments, he finds the spark to keep on living. That spark is vengeance. Trapped and desperate on a world surrounded by alien Prador forces, Spear had seen a rescue ship arriving. But instead of providing backup, Penny Royal, the AI within the destroyer turned rogue. It annihilated friendly forces in a frenzy of destruction, and, years later, it's still free. Spear vows to track it across worlds and do whatever it takes to bring it down.

Isobel Satomi ran a successful crime syndicate. But after competitors attacked, she needed more power. Yet she got more than she bargained for when she negotiated with Penny Royal. She paid it to turn her part-AI herself, but the upgrades hid a horrifying secret. The Dark AI had triggered a transformation in Isobel that would turn her into a monster, rapidly evolving into something far from human.

Spear hires Isobel to take him to the Penny Royal AI's last known whereabouts. But he cheats her in the process and he becomes a target for her vengeance. And as she is evolves further into a monstrous predator, rage soon wins over reason. Will Spear finish his hunt, before he becomes the hunted?

This is the first volume in a no-holds-barred adventure set in Asher's popular Polity universe.

Thorvald Spear, resurrected from his death over a hundred years earlier, continues to hunt Penny Royal, the rogue AI and dangerous war criminal on the run from Polity forces. Beyond the Graveyard, a lawless and deadly area in deep space, Spear follows the trail of several enemy Prador, the crab-like alien species with a violent history of conflict with humanity.

Sverl, a Prador genetically modified by Penny Royal and slowly becoming human, pursues Cvorn, a Prador harboring deep hatred for the Polity looking to use him and other hybrids to reignite the dormant war with mankind.

Blite, captain of a bounty hunting ship, hands over two prisoners and valuable memplants from Penny Royal to the Brockle, a dangerous forensics entity under strict confinement on a Polity spaceship that quickly takes a keen interest in the corrupted AI and its unclear motives.

Penny Royal meanwhile continues to pull all the strings in the background, keeping the Polity at bay and seizing control of an attack ship. It seeks Factory Station Room 101, a wartime manufacturing space station believed to be destroyed. What does it want with the factory? And will Spear find the rogue AI before it gets there?

War Factory, the second book in the Transformation trilogy, is signature space opera from Neal Asher: breakneck pacing, high-tech science, bizarre alien creatures, and gritty, dangerous far-future worlds.

A man battles for his life, two AIs vie for supremacy and a civilization hangs in the balance...

Several forces now pursue rogue artificial intelligence Penny Royal, hungry for revenge or redemption. And the Brockle is the most dangerous of all. This criminal swarm-robot AI has escaped its confinement and is upgrading itself, becoming ever more powerful in anticipation of a deadly showdown.

Events also escalate aboard the damaged war factory station where Penny Royal was constructed. Here Thorvald Spear, alien prador, and an assassin drone struggle to stay alive, battling insane AIs and technology gone wild. Then the Weaver arrives - last of the Atheter, resurrected from a race that suicided two million years ago. But what could it contribute to Penny Royal's tortuous plans?

And beyond the war factory a black hole conceals a tantalizing secret which could destroy the Polity. As AIs, humans and prador clash at its boundary, will anything survive their explosive final confrontation?

Nia and Corwin have each fought their own battles. Now they are Joined together to face their most dangerous enemy yet: Ma'el, the evil Avatar. In order to defeat Ma'el, they must retrieve a magical sword from Atlantis. But after a treacherous journey through the sea, they are shocked to discover that the sword is nowhere to be found.

As Nia and Corwin search for the sword, they realize that the good people of Atlantis are now enslaved by Ma'el. Worse still, Ma'el plans the same for Corwin's native land of Wales. Nia and Corwin must find the sword and stop Ma'el -- before it's too late.