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This brilliant, readable synthesis of the history of mythology and the function it serves to humanity is the launch title of the groundbreaking publishing event, The Myths. "Human beings have always been mythmakers." So begins Karen Armstrong's concise yet compelling investigation into myth: what it is, how it has evolved, and why we still so desperately need it. She takes us from the Paleolithic period and the myths of the hunters right up to the "Great Western Transformation" of the last five hundred years and the discrediting of myth by science. The history of myth is the history of humanity, our stories and beliefs, our curiosity and attempts to understand the world, which link us to our ancestors and each other. Myths help us make sense of the universe.

Heralding a major series of retellings of international myths by authors from around the world, Armstrong's characteristically insightful and eloquent book serves as a brilliant and thought-provoking introduction to myth in the broadest sense -- and explains why if we dismiss it, we do so at our peril.

Margaret Atwood returns with a shrewd, funny, and insightful retelling of the myth of Odysseus from the point of view of Penelope. Describing her own remarkable vision, the author writes in the foreword, "I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself." One of the high points of literary fiction in 2005, this critically acclaimed story found a vast audience and is finally available in paperback.

Condemned to shoulder the world forever by the gods he dared defy, freedom seems unattainable to Atlas. But then, he receives an unexpected visit from Heracles, the one man strong enough to share the burden. This work addresses difficult questions about the nature of choice and coercion in the myth of Atlas and Heracles.

Victor Pelevin, the iconoclastic and wildly interesting contemporary Russian novelist who The New Yorker named one of the Best European Writers Under 35, upends any conventional notions of what mythology must be with his unique take on the myth of Theseus and the Minotaur. By creating a mesmerizing world where the surreal and the hyperreal collide, The Helmet of Horror is a radical retelling of the myth of Theseus and the Minotaur set in an Internet chat room. They have never met, they have been assigned strange pseudonyms, they inhabit identical rooms that open out onto very different landscapes, and they have entered a dialogue they cannot escape — a discourse defined and destroyed by the Helmet of Horror. Its wearer is the dominant force they call Asterisk, a force for good and ill in which the Minotaur is forever present and Theseus is the great unknown.

The Helmet of Horror is structured according to the way we communicate in the twenty-first century — using the Internet — yet instilled with the figures and narratives of classical mythology. It is a labyrinthine examination of epistemological uncertainty that radically reinvents this myth for an age where information is abundant but knowledge ultimately unattainable.

Israel's most lauded contemporary writer retells the myth of Samson, one of the most tempestuous, charismatic, and colorful characters in the Hebrew Bible. There are few other Bible stories with so much drama and action, narrative fireworks and raw emotion, as we find in the tale of Samson: the battle with the lion; the three hundred burning foxes; the women he bedded and the one woman that he loved; his betrayal by all the women in his life, from his mother to Delilah; and, in the end, his murderous suicide, when he brought the house down on himself and three thousand Philistines.

The latest addition to the Myths series from Canongate, now available in paperback, is a beguiling tale from the beloved author of the best-selling No. 1 Ladies' Detective Agency. Angus is one of the earliest Celtic deities and one of the most cherished to this day. Like an even more handsome combination of Apollo and Eros, he is the god of love, youth, and beauty. Just the sight of him has made people fall in love, and he has the power to reveal a person's true love in a dream, if asked politely.

Alexander McCall Smith has turned his renowned storytelling talents to crafting irresistible stories from this ancient myth. Five exquisite contemporary fables of love lost and found unfold alongside Angus's search for the beautiful Caer, the swan maiden he met in his dreams. McCall Smith unites reality and dreams, today and the ancient past, mesmerizingly, leaving the reader to wonder: what is life but the pursuit of dreams?

The Song of King Gesar is one of the world's great epics, as significant for Tibetans as the Odyssey and Iliad for the ancient Greeks, and as the Ramayana and Mahabarata in India. Passed down in song from one generation to the next, it is sung by Tibetan bards even today.

Set partly in ancient Tibet, where evil spirits mingle with the lives of humans, and partly in the modern day, The Song of King Gesar tells of two lives inextricably entwined. Gesar, the youngest and bravest of the gods, has been sent down to the human world to defeat the demons that plague the lives of ordinary people. Jigmed is a young shepherd, who is visited by dreams of Gesar, of gods and of ancient battles while he sleeps.

So begins an epic journey for both the shepherd and the king. The wilful child of the gods will become Gesar, the warrior-king of Ling, and will unite the nation of Tibet under his reign. Jigmed will learn to see his troubled country with new eyes, and, as the storyteller chosen by the gods, must face his own destiny.

From the astonishingly talented writer of The Accidental and Hotel World comes Ali Smith's brilliant retelling of Ovid's gender-bending myth of Iphis and Ianthe, as seen through the eyes of two Scottish sisters. Girl Meets Boy is about girls and boys, girls and girls, love and transformation, and the absurdity of consumerism, as well as a story of reversals and revelations that is as sharply witty as it is lyrical. Funny, fresh, poetic, and political, Girl Meets Boy is a myth of metamorphosis for a world made in Madison Avenue's image, and the funniest addition to the Myths series from Canongate since Margaret Atwood's The Penelopiad.

In Peach Village, crying is forbidden. But as a child, Binu never learnt to hide her tears. Shunned by the villagers, she faced a bleak future, until she met Qiliang, an orphan who offered her his hand in marriage.

Then one day Qiliang disappears. Binu learns that he has been transported hundreds of miles and forced to labour on a project of terrifying ambition and scale - the building of the Great Wall.

Binu is determined to find and save her husband. Inspired by her love, she sets out on an extraordinary journey towards Great Swallow Mountain, with only a blind frog for company. What follows is an unforgettable story of passion, hardship and magical adventure.

According to Slavic myth, Baba Yaga is a witch who lives in a house built on chicken legs and kidnaps small children. In Baba Yaga Laid an Egg, internationally acclaimed writer Dubravka Ugresic takes the timeless legend and spins it into a fresh and distinctly modern tale of femininity, aging, identity, and love.

With barbed wisdom and razor-sharp wit, Ugresic weaves together the stories of four women in contemporary Eastern Europe: a writer who grants her dying mother's final wish by traveling to her hometown in Bulgaria, an elderly woman who wakes up every day hoping to die, a buxom blonde hospital worker who's given up on love, and a serial widow who harbors a secret talent for writing. Through the women's fears and desires, and their struggles against invisibility, Ugresic presents a brilliantly postmodern retelling of an ancient myth that is infused with humanity and the joy of storytelling.

Theo Griepenkerl, a Canadian linguistics scholar, is sent to Iraq in search of artifacts that have survived the destruction and looting of the war. While visiting a museum in Mosul, he finds nine papyrus scrolls tucked in the belly of a bas-relief sculpture: they have been perfectly preserved for more than two thousand years. After smuggling them out of Iraq and translating them from Aramaic, Theo realizes the extent of his career-making find, for he is in possession of the Fifth Gospel, and it offers a shocking and incomparable eyewitness account of Christ's crucifixion and last days on Earth. Nakedly ambitious and recently dumped by his girlfriend, Theo sets out to share his discovery with the world in the form of a headline-grabbing U.S. book tour. Caught in the throes of his newfound fame, Theo fails to consider the global and cultural ramifications his discovery will have with God-fearing folks and religious zealots worldwide. Like Prometheus's gift of fire, Theo's book has incendiary consequences.

It is 1938 and Sigmund Freud, suffering from the debilitating effects of cancer, has been permitted by the Nazis to leave Vienna. He seeks refuge in England, taking up residence in the house in Hampstead in which he will die only fifteen months later. But his last months are made vivid by the arrival of a stranger, who comes and goes according to Freud's state of health. Who is the mysterious visitor and why has he come to tell the famed proponent of the Oedipus complex his strange story?

Set partly in pre-war London and partly in ancient Greece, em>Where Three Roads Meet is as brilliantly compelling as it is moving. Former psychoanalyst and acclaimed novelist Salley Vickers revisits a crime committed long ago which still has disturbing reverberations for us all.

The Good Man Jesus and the Scoundrel Christ is the remarkable new piece of fiction from best-selling and famously atheistic author Philip Pullman. By challenging the events of the gospels, Pullman puts forward his own compelling and plausible version of the life of Jesus, and in so doing, does what all great books do: makes the reader ask questions.

In Pullman's own words, "The story I tell comes out of the tension within the dual nature of Jesus Christ, but what I do with it is my responsibility alone. Parts of it read like a novel, parts like history, and parts like a fairy tale; I wanted it to be like that because it is, among other things, a story about how stories become stories.">

Hanck Orn's son is dead. When they come to the door they tell him it was a heart attack, but he knows they are lying. So he travels to the archipelago at the outermost reaches of the land to find out what really happened. He lands on an island and is met by a young woman, hair streaked with blood, raving like a lunatic. She is one of the sisters, who tell him the story of how his son died in the great hall of the Clan, the Norse gods, who were holding a party. But the festivities soon got out of hand, the guests began to argue with one another, and the mischievous shapeshifter Loki dealt a deadly blow. Set in a dystopian future that recalls Orwell and Zamyatin, Klas Östergren has weaved a dizzying story of magnificent scope and foul play. Moving from the golden halls to the depths of the underworld, it is about one man's search for justice for his son in a world on the brink.

The setting for this magical fable is Eldorado, the Enchanted city that inhabited the fevered dreams of European navigators and conquistadors, but eluded all attempts to find it on the map. Some have linked it to Manaus in the Amazon Basin, and it is here that Arminto Cordovil lives with his father Amando in a white mansion.

Theirs is a relationship full of passion and limitless ambition. Separating father and son is a remarkable cast of characters, from Angelina, the dead mother, to Denisio, the infernal boatman, and at the centre, Dinaura, a girl who betwitches Arminto and dreams of Eldorado...

Orphans of Eldorado is a rich and magical fable that beautifully captures the atmosphere of the steamy, lush Amazonian world.

Recently evacuated to the British countryside and with World War Two raging around her, one young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobigraphical and linguistically stunning, this book is a landmark work of fiction from one of Britain's truly great writers. Intensely timely it is a book about how stories can give us the courage to face our own demise. The Ragnarok myth, otherwise known as the Twilight of the Gods, plays out the endgame of Norse mythology. It is the myth in which the gods Odin, Freya and Thor die, the sun and moon are swallowed by the wolf Fenrir, the serpent Midgard eats his own tale as he crushes the world and the seas boil with poison. It is only after such monstrous death and destruction that the world can begin anew. This epic struggle provided the fitting climax to Wagner's Ring Cycle and just as Wagner was inspired by Norse myth so Byatt has taken this remarkable finale and used it as the underpinning of this highly personal and politically charged retelling.

From internationally bestselling crime writer Natsuo Kirino comes a mythical feminist noir about family secrets, broken loyalties, and the search from truth in a deceitful world.

In a place like no other, on a mystical island in the shape of tear drop, two sisters are born into a family of oracles. Kamikuu is admired far and wide for her otherworldly beauty; small and headstrong Namima learns to live in her sister's shadow. On her sixth birthday, Kamikuu is chosen to become the next Oracle, serving the realm of light, while Namima is forced to serve the realm of darkness--destined to spend eternity guiding the spirits of the deceased to the underworld.

As the sisters serve opposite fates, Namima embarks on a journey that takes her from the experience of first love to the aftermath of scalding betrayal. Caught in an elaborate web of treachery, she travels between the land of the living and the Realm of the Dead, seeking vengeance and closure.

At the heart of this exquisitely dark tale, Kirino masterfully reimagines the ancient Japanese creation myth of Izanami and Izanaki. A provocative, fantastical saga, The Goddess Chronicle tells a sumptuous story of sex, murder, gods and goddesses, and bittersweet revenge.