Search Worlds Without End

Sturgeon and Nebula Award nominated novelette. It originally appeared in Asimov's Science Fiction, April 1994. The story can be found in the anthology The Year's Best Science Fiction: Twelth Annual Collection (1995), edited by Gardner Dozois and the collection Mothers & Other Monsters: Stories (2005). The story was later expanded to a full novel.

An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries.

There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate...though she could never again be truly free.

At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its nave, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?"

But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human.

Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead.

Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood.

MATT RICHTER MAY BE DEAD, BUT HE'LL STILL CRACK THIS CASE

Meet Matt Richter. Private Eye. Zombie. His mean streets are the city of the dead, the shadowy realm known as Nekropolis.

This place has always been ruled by the vampire overlords. Now they're plotting to destroy the city.

... over his dead body.

The return of Matt Richter. Private Eye. Zombie.

MATT RICHTER'S GOING TO PIECES - LITERALLY.

You've got to keep your head to survive in the teeming undead city known as Nekropolis. It's a pity crazed genius Victor Baron couldn't manage that. Now everyone wants a piece of him.

Zombie detective Matt Richter and his glamorous she-vampire companion Devona are back on the case, with another wild and wonderful investigation.

Meet Matt Richter. Zombie. PI.

From his arrival at Nekropolis, Matt has found himself embroiled in disputes with the city's vampire lords, shapeshifters, golems and other monstrosities.

Nothing has prepared him for the Dark War.